One of the benefits of having a family obsessed with old family stories is, just that, many old family stories. My grandmother is from an ancient Virginia family and she often referred to cousins, aunts, and great-great grandparents in polite and obscure language. “Well,” she would say, in a very slow Virginia drawl, “she was a true beauty, and quite eccentric.” And that would be that. As I’ve looked deeper into some of these relatives, the truth is far more interesting.
For example, my grandmother’s cousin Amelie Rives’ godfather was General Robert E. Lee and granddaughter of Senator William Cabell Rives. She was born at the end of the civil war and lived at Castle Hill, built by one of my distant grandfathers Dr. Thomas Walker, near Charlottesville. In 1888, she married John Armstrong “Archie” Chanler, grandson of John Jacob Astor. The marriage was a disaster with details including morphine addiction in France, affairs, and eventual madness. The Astor family claimed that Amelie drove Archie mad, my family claimed that he was already mad. Donna M. Lucey’s biography, Archie and Amelie, Love and Madness in the Gilded Age retells the story beautifully.
In the end, Archie descended into madness, including delusions that he could put himself into a sort of trance in which his face would somehow morph into the death mask of Napoleon. In the meantime, Amelie became the toast of European society, divorced Archie, and married Russian Prince Pierre Troubetzkoy, “an artist and an aristocrat,” who possessed more glamour and panache than money. The two settled at the family home, Castle Hill and were together for the rest of their lives. The scandals continued, when Amelie began writing novels and plays including the shocking The Quick and the Dead?, an erotic story. However, as my grandmother said, “Why, she was such a fine beauty.”
John Armstrong “Archie” Chanler as Napoleon’s death mask, and riding