Going Dutch

I hear many designers say, "My client won't let me do cool work." I've certainly had clients that were overbearing, controlling, and particular, but typically they save me from doing something dumb. I'm the one that is at the meeting saying, "Wow, you're right. I see now that red and black could be kind of fascist on a children's lunch box."

This happened to me this week. I'm working on an annual report for a great group that helps students go to college. I designed a couple of versions and was rather please with myself. During the presentation, one of the clients said, "It seems kind of Danish, like a Danish public transit form. Could it be a little friendlier?" First I was impressed that she made the connection. Second, I'm pretty sure it was more Dutch than Danish. And third she was 100% correct. I had unwittingly designed a formal, chilly, and "Dutch" annual report for an upbeat and friendly brand.

My unwittingly chilly Dutch pages

Wim Crouwel and the studio, Total Design is Dutch, but the work is never chilly. It's clear, direct, simple, and bold; attributes I love. The confidence of form is beautiful. There is no desperate attempt to do something witty with a visual pun. It is a symphony of typography and shape. But it has a sense of play, even when it is serious. If you don't own it already, buy Unit Editions' book TD 63–73. It's comprehensive, beautiful, and dense.

I admit, I often see students slip into the "Dutch" thing and I work to "beat the Dutch out of them." Not because I don't like it, but because they are not living in Holland. They are in Los Angeles. It's 90 degrees, blindingly bright, and saturated with Mexican, Asian, and South American colors. If you're in Amsterdam, go for it, not at Zuma Beach.

Sean Adams

Sean Adams is the Chair of the undergraduate and graduate Graphic Design Program at ArtCenter, founder of Burning Settlers Cabin studio, and on-screen author for LinkedIn Learning/Lynda.com He is the only two term AIGA national president in AIGA’s 100 year history. In 2014, Adams was awarded the AIGA Medal, the highest honor in the profession. He is an AIGA Fellow, and Aspen Design Fellow. He has been recognized by every major competition and publication including; How, Print, Step, Communication Arts, Graphis, AIGA, The Type Directors Club, The British Art Director’s Club, and the Art Director’s Club. Adams has been exhibited often, including a solo exhibition at The San Francisco Museum of Modern Art.

Adams is an author of multiple magazine columns, and several best-selling books. He has been cited as one of the forty most important people shaping design internationally, and one of the top ten influential designers in the United States. Previously, Adams was a founding partner at AdamsMorioka, whose clients included The Academy of Motion Picture Arts and Sciences, Disney, Mohawk Fine Papers, The Metropolitan Opera, Los Angeles County Museum of Natural History, Richard Meier & Partners, Sundance, and the University of Southern California.

Books on Fire

I am quite proud of my most recent project, to build a bookcase in my office at home. It still needs some trim work, but the books are in and nothing has collapsed. The most surprising aspect of the project was how many books I had. Who knew? These are only the design books, there are other bookcases in the house with more. I had quite a few duplicates that I tried donating to the Art Center library, but they didn't need them. I didn't want to throw the books away. I considered burning them in the driveway and telling my neighbors they were evil books: Catcher in the Rye, etc.. But I left them in a box on the curb, and they were gone in an hour.

Of course, that doesn't stop me from buying more. One of my favorite publishers is Unit Editions. It's a collaboration between Adrian Shaughnessy and Tony Brook in London. They focus on books with incredibly high quality and remarkable content. Rather than producing 25,000 copies of a book about business cards on cheap paper, Unit Editions publishers smaller quantities that will last for generations.

When I hear people ramble on about sustainable practices and how they used recycled paper for their brochure I nod approvingly. But, in the end, isn't the truly sustainable action to create an artifact that will be used, saved, and not thrown in the trash?

As Lou Danziger told us as students, "Stop buying drugs. Buy books instead." Very good advice, although as a student, I was spending my money on Cup o' Noodles not drugs.