I Go to The Hills

Every day I hike to the top of a hill in Griffith Park. I know this is very The Sound of Music, climbing a mountain in the fresh air and getting good exercise. I don't sing. There are other people hiking and that is scary.

My hiking trail

I will admit, with some fear, that I actually like The Sound of Music. There are good lessons here: face life's problem and climb every mountain, ford every stream, and have confidence in yourself when no-one else will, and think about your favorite things like brown paper packages tied up with string when you are sad.

What works in the movie is not the story about singing children. Like the Baroness, I think they should be sent off to school. It's Christopher Plummer and Julie Andrews that keep it from slipping into too saccharine. 

I saw a production on Broadway of the revival and it sucked big time. Without Christopher Plummer or Julie Andrews it was sooooo sweet. It made me want to do something really vile and repulsive after too get off some of the gooey and cloying acting. Plummer has a slightly sardonic and edgy tone that says, "I may discipline any one of you severely with no warning." Andrews also reads as kind and firm, but maybe a little nasty. That's what saves it and makes it work; that injection of the negative in the midst of all the goodness.

And there is that filthy language. I'm sure everyone already knows this, but it happens when Maria returns to the Abbey and meets with the Mother Superior. Before singing Climb Every Mountain, Mother Superior asks, "What is it you cunt face?" That nun had some anger issues and it seems rather passive aggressive to slip that in when pretending to be helpful. 

Herb Lubalin, 1965



Sean Adams

Sean Adams is the Chair of the undergraduate and graduate Graphic Design Program at ArtCenter, founder of Burning Settlers Cabin studio, and on-screen author for LinkedIn Learning/Lynda.com He is the only two term AIGA national president in AIGA’s 100 year history. In 2014, Adams was awarded the AIGA Medal, the highest honor in the profession. He is an AIGA Fellow, and Aspen Design Fellow. He has been recognized by every major competition and publication including; How, Print, Step, Communication Arts, Graphis, AIGA, The Type Directors Club, The British Art Director’s Club, and the Art Director’s Club. Adams has been exhibited often, including a solo exhibition at The San Francisco Museum of Modern Art.

Adams is an author of multiple magazine columns, and several best-selling books. He has been cited as one of the forty most important people shaping design internationally, and one of the top ten influential designers in the United States. Previously, Adams was a founding partner at AdamsMorioka, whose clients included The Academy of Motion Picture Arts and Sciences, Disney, Mohawk Fine Papers, The Metropolitan Opera, Los Angeles County Museum of Natural History, Richard Meier & Partners, Sundance, and the University of Southern California.

Very pretty pretty pretty

Warning or congratulations: There is some nudity above.

The first movie we see as a child leaves an indelible mark. Many of my friends cite the following: The Sound of Music, Wizard of Oz, Mary Poppins, even the bizarre Chitty Chitty Bang Bang. The first movie recall seeing was Barbarella at a theater on Van Ness in San Francisco. I am convinced the typographic strip scene for the titles began my love for typography. It’s interesting that Barbarella was made in 1968, the same year 2001: A Space Odyssey. 2001 is a hard-edged technologically driven vision of the future. Barbarella is soft and sexual. They share a connection to psychedelia. The final scenes of 2001, and most of Barbarella are clearly about an altered mind experience. While I love 2001, Jane Fonda’s fur lined spaceship is ingrained on my soul. If I had a spaceship and needed to spend months in space, I’d much rather have her groovy carpeted van version with the sexually ambiguous computer, over the pristine Discovery One and Hal (wait he’s sexually ambiguous also).