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From Design Observer

A good title sequence should exciting and thrilling, luring the viewer into the film. You might think that’s the case for every summer blockbuster, the kinds of movies that lead with titles that rely on noise and action and intensity. But you’d be wrong, and Stephen Frankfurt's titles for To Kill a Mockingbird help to show us why.

 In 1962, Robert Mulligan directed the film adaptation of Harper Lee’s Pulitzer-prize winning novel, To Kill a Mockingbird. It is in many ways a surprising book to adapt for the screen: there’s no love story, no violence, and relatively little action. The story centers on a middle-aged widower, a lawyer played by Gregory Peck, who is raising his two children in the South. The film succeeds through its graceful depiction of characters as the story unfolds with frailty, humanity, and heroism.

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Sean Adams

Sean Adams is the Chair of the undergraduate and graduate Graphic Design Program at ArtCenter, founder of Burning Settlers Cabin studio, and on-screen author for LinkedIn Learning/Lynda.com He is the only two term AIGA national president in AIGA’s 100 year history. In 2014, Adams was awarded the AIGA Medal, the highest honor in the profession. He is an AIGA Fellow, and Aspen Design Fellow. He has been recognized by every major competition and publication including; How, Print, Step, Communication Arts, Graphis, AIGA, The Type Directors Club, The British Art Director’s Club, and the Art Director’s Club. Adams has been exhibited often, including a solo exhibition at The San Francisco Museum of Modern Art.

Adams is an author of multiple magazine columns, and several best-selling books. He has been cited as one of the forty most important people shaping design internationally, and one of the top ten influential designers in the United States. Previously, Adams was a founding partner at AdamsMorioka, whose clients included The Academy of Motion Picture Arts and Sciences, Disney, Mohawk Fine Papers, The Metropolitan Opera, Los Angeles County Museum of Natural History, Richard Meier & Partners, Sundance, and the University of Southern California.

Angels in Malibu

I have a reel that I show my first year students at Art Center. It’s a collection of my favorite classic film titles. Of course I have multiple Saul Bass titles, such as Psycho and North by Northwest. I have Stephen Frankfurt’s beautiful sequence for To Kill a Mockingbird, and other incredible examples. I also have the title sequence for Gidget. Why? Because I love Gidget. If you don’t you are probably a Communist. The sequence is pretty cheesy, but perfect. So laugh if you must at my inclusion of Gidget in my Top 10 titles list. Some day, however, Gidget will be recognized as genius. A little bit of trivia: Sally Field played Gidget, and her brother on Brothers and Sisters, Ron Rifkin, played Mel, one of the gang on Gidget.