In the Desert

My furniture at home hasn't changed in 25 years. Some items have been repaired and others replaced with the exact same thing. When we started to buy furniture for the Palm Springs house, I realized I hadn't bought anything new since 1991. WTF? Furniture is expensive today. I feel like that old person who says, "When I was a kid the movies were a nickel." But it's slowly coming together.

There is another house that has been on the market in PS that has been covered by everyone on earth already. But it's worth another look if anyone is facing the same issues and asking, "Hmm, what sofa should I buy?" It's truly remarkable. I can see why it's hard to sell. Whoever buys it couldn't touch a thing. It would need to be preserved as is. Changing anything would be like redecorating Monticello at Sears. Think of the super groovy parties you could have making Harvey Wallbangers and playing backgammon. Or making soft core porn?

Sean Adams

Sean Adams is the Chair of the undergraduate and graduate Graphic Design Program at ArtCenter, founder of Burning Settlers Cabin studio, and on-screen author for LinkedIn Learning/Lynda.com He is the only two term AIGA national president in AIGA’s 100 year history. In 2014, Adams was awarded the AIGA Medal, the highest honor in the profession. He is an AIGA Fellow, and Aspen Design Fellow. He has been recognized by every major competition and publication including; How, Print, Step, Communication Arts, Graphis, AIGA, The Type Directors Club, The British Art Director’s Club, and the Art Director’s Club. Adams has been exhibited often, including a solo exhibition at The San Francisco Museum of Modern Art.

Adams is an author of multiple magazine columns, and several best-selling books. He has been cited as one of the forty most important people shaping design internationally, and one of the top ten influential designers in the United States. Previously, Adams was a founding partner at AdamsMorioka, whose clients included The Academy of Motion Picture Arts and Sciences, Disney, Mohawk Fine Papers, The Metropolitan Opera, Los Angeles County Museum of Natural History, Richard Meier & Partners, Sundance, and the University of Southern California.

Project

The next project

Last weekend we went out to Palm Springs to visit the house we bought as a weekend house for us and a full-time house for my mother. The plan is that everyone in the family will use it frequently. We arrived and opened the door at noon, then I began to freak out. I have a batch of furniture in my rumpus room that needs a new home, but now there is a 4 bedroom house with no furniture. Then I recalled that I felt the same way when we moved into the Los Feliz house 10 years ago. 

It took some time and lots of weekends painting, scrubbing, and fixing things, but it's at a good place. Of course, when it's your own house, you only see the flaws. The cactus garden is overgrown, the rug in the den looks like I feed pigs on it. 

Sean Adams

Sean Adams is the Chair of the undergraduate and graduate Graphic Design Program at ArtCenter, founder of Burning Settlers Cabin studio, and on-screen author for LinkedIn Learning/Lynda.com He is the only two term AIGA national president in AIGA’s 100 year history. In 2014, Adams was awarded the AIGA Medal, the highest honor in the profession. He is an AIGA Fellow, and Aspen Design Fellow. He has been recognized by every major competition and publication including; How, Print, Step, Communication Arts, Graphis, AIGA, The Type Directors Club, The British Art Director’s Club, and the Art Director’s Club. Adams has been exhibited often, including a solo exhibition at The San Francisco Museum of Modern Art.

Adams is an author of multiple magazine columns, and several best-selling books. He has been cited as one of the forty most important people shaping design internationally, and one of the top ten influential designers in the United States. Previously, Adams was a founding partner at AdamsMorioka, whose clients included The Academy of Motion Picture Arts and Sciences, Disney, Mohawk Fine Papers, The Metropolitan Opera, Los Angeles County Museum of Natural History, Richard Meier & Partners, Sundance, and the University of Southern California.

Joan Crawford or Richard Neutra

Richard Neutra, Kaufmann House, Julius Shulman photographer

We recently decided to find a second house in Palm Springs. My mother would like to move there and escape the northern Nevada mountain weather. So it seemed like a good idea to find a place she could live in and the entire family could use. Years ago, I remember the Kaufmann House for sale. I seem to recall Barry Manilow owned it and it had been transformed from a gem of elegant forms to a dark Mediterranean monstrosity. At the time it was incredibly inexpensive. It's been beautifully restored by Marmol Radziner and Associates, but I don't have an extra $20 million in a shoe box.

I'd forgotten how depressing and, at the same time, exciting looking for a house could be. One house will look amazing outside, but the inside is terrifying. There are houses that have been horribly treated; flipped and filled with cheap fixtures and materials. Others that have the type of decor you can't believe exists. After one such house, after we left, I kept repeating, "I didn't know people like that really existed." I'm just not one for red velvet wall-coverings and oversized paintings of Joan Crawford.

But, on the other end of the spectrum, we found some well maintained and thoughtfully restored houses with beautiful views. I had hopes of finding an early California Cliff May ranch house, but the few we found were on the small side. I don't want to be that cliché and do the whole mid-century modern thing, but there's a whole lotta that in Palm Springs. And I have a rumpus room in LA filled with extra Saarinen chairs and tables. We're still looking, but I couldn't resist sharing some of the options. You can be the judge. There's something for everyone.




Sean Adams

Sean Adams is the Chair of the undergraduate and graduate Graphic Design Program at ArtCenter, founder of Burning Settlers Cabin studio, and on-screen author for LinkedIn Learning/Lynda.com He is the only two term AIGA national president in AIGA’s 100 year history. In 2014, Adams was awarded the AIGA Medal, the highest honor in the profession. He is an AIGA Fellow, and Aspen Design Fellow. He has been recognized by every major competition and publication including; How, Print, Step, Communication Arts, Graphis, AIGA, The Type Directors Club, The British Art Director’s Club, and the Art Director’s Club. Adams has been exhibited often, including a solo exhibition at The San Francisco Museum of Modern Art.

Adams is an author of multiple magazine columns, and several best-selling books. He has been cited as one of the forty most important people shaping design internationally, and one of the top ten influential designers in the United States. Previously, Adams was a founding partner at AdamsMorioka, whose clients included The Academy of Motion Picture Arts and Sciences, Disney, Mohawk Fine Papers, The Metropolitan Opera, Los Angeles County Museum of Natural History, Richard Meier & Partners, Sundance, and the University of Southern California.

Designers in Black, Part 2

Marian Bantjes and dapper Stephen Doyle

Continuing on from yesterday’s shallow posting about the attire at the AIGA Design Legends Gala in New York, I want to make sure that we don’t cover the articulate messages, inspirational medalist stories, or engaging conversation. So back to the issue everyone has on mind, who looked good and who looked like hell? I’m actually too nice to do the worst dressed list, For the most part, everyone looked purty darn snazzy. There were a few missteps, but I’m sure some would find these “adventurous”. I’m too old school and think there is nothing wrong with the classics. The best fashion moment happened the next day, when Marian Bantjes and I went to Debbie Millman’s really amazing house for cocktails. After a couple or more G+Ts, Debbie agreed to show us her second choice dress that didn’t make the cut. I’ve never seen Debbie in orange, and she should wear it all the time. For a moment, we felt transported to a glamorous evening, Palm Springs, 1971. Debbie, I strongly advise you to wear the orange dress to every client meeting.

Jennifer Morla and Chip Kidd stylish in stripes

Connecticut bigwig Kim Rogala sleek and slim

Glowing and silky Louise Sandhaus

Lovlier than her logo behind her, Lynda Weinman

Emily Carr proves that designers CAN wear color

Terry Irwin silver fox

Madame President Millman in 2nd choice dress

Slim Aarons, Palm Springs 1971