Bombs Away

One of the disturbing things about getting older is that all of your cultural references become obsolete. I’ll mention Leave it to Beaver, and get blank stares. Or I’ll suggest someone look at the colors of the Fillmore posters, and, once again the stare that says, “Wha’?” and, “You’re old.” Today I mentioned Pablo Ferro’s incredible title sequence for Stanley Kubrick’s Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb and had a similar reaction. I love Ferro’s explanation that refers to the sexuality of the scene. Others might skirt the issue, or suggest the viewer can determine his or her own meaning. Pablo states blatantly, “Everything we do is always very sexual. A B-52 refueling in midair? Of course! It’s sexual.” The combination of the wonderfully immediate typography, easy listening music, and documentary footage creates a pornographic and sensual experience. Okay, maybe not hot, hot, hot pornography, but certainly sensual.

How the World Ends

Forgive me, my mind is linear and it is stuck in a groove today. After  yesterday's post about Adlai Stevenson, I spent all night thinking about Stanley Kubrick's Dr. Strangelove. Pablo Ferro's title sequence is sublime, and the dialogue is hilarious. President Merkin Murfley, played by Peter Sellers, is clearly based on Stevenson. The exchange between President Murfley and the Soviet Premier Kissoff is genius. To recap, a plane is on it's way to Russia to drop a nuclear bomb, under the wrong assumption that the US and USSR are at war. President Murfley is trying to negotiate the situation.

Dialogue:

President Merkin Muffley: [to Kissoff] Hello?... Uh... Hello D- uh hello Dmitri? Listen uh uh I can't hear too well. Do you suppose you could turn the music down just a little?... Oh-ho, that's much better... yeah... huh... yes... Fine, I can hear you now, Dmitri... Clear and plain and coming through fine... I'm coming through fine, too, eh?... Good, then... well, then, as you say, we're both coming through fine... Good... Well, it's good that you're fine and... and I'm fine... I agree with you, it's great to be fine... a-ha-ha-ha-ha... Now then, Dmitri, you know how we've always talked about the possibility of something going wrong with the Bomb... The Bomb, Dmitri... The hydrogen bomb!... Well now, what happened is... ahm... one of our base commanders, he had a sort of... well, he went a little funny in the head... you know... just a little... funny. And, ah... he went and did a silly thing... Well, I'll tell you what he did. He ordered his planes... to attack your country... Ah... Well, let me finish, Dmitri... Let me finish, Dmitri... Well listen, how do you think I feel about it?... Can you imagine how I feel about it, Dmitri?... Why do you think I'm calling you? Just to say hello?... Of course I like to speak to you!... Of course I like to say hello!... Not now, but anytime, Dmitri. I'm just calling up to tell you something terrible has happened... It's a friendly call. Of course it's a friendly call... Listen, if it wasn't friendly... you probably wouldn't have even got it... They will not reach their targets for at least another hour... I am... I am positive, Dmitri... Listen, I've been all over this with your ambassador. It is not a trick... Well, I'll tell you. We'd like to give your air staff a complete run-down on the targets, the flight plans, and the defensive systems of the planes... Yes! I mean i-i-i-if we're unable to recall the planes, then... I'd say that, ah... well, ah... we're just gonna have to help you destroy them, Dmitri... I know they're our boys... All right, well listen now. Who should we call?... Who should we call, Dmitri? The... wha-whe, the People... you, sorry, you faded away there... The People's Central Air Defense Headquarters... Where is that, Dmitri?... In Omsk... Right... Yes... Oh, you'll call them first, will you?... Uh-huh... Listen, do you happen to have the phone number on you, Dmitri?... Whe-ah, what? I see, just ask for Omsk information... Ah-ah-eh-uhm-hm... I'm sorry, too, Dmitri... I'm very sorry... All right, you're sorrier than I am, but I am as sorry as well... I am as sorry as you are, Dmitri! Don't say that you're more sorry than I am, because I'm capable of being just as sorry as you are... So we're both sorry, all right?... All right.

Designers in Black, part 1

Sean Adams and the wonderfully jewelled Madame President, Debbie Millman

Last Thursday, I attended the AIGA Design Legends Gala in New York. I was in Kona the week before, and it was a helluva flight from Hawaii to LA to New York, but the Gala is an evening that reminds me why I’m a designer. Of course, there are inspirational speeches and presentations. Debbie Millman gave an eloquent speech about the current economy and why designers are more important than ever. The Medalists, Carin Goldberg, Doyald Young, and Pablo Ferro were remarkable and seeing their work is exactly the shot in the arm I needed. But, many of you are probably asking, who looked good? Fortunately, I’m shallow and took my camera to find some of the best dressed. Now I admit I’m bad at this job. I started and then had a couple of Gin and Tonics, then the gorgeous Marian Bantjes sat on my lap, then I lost interest in the photography. Nevertheless, for your pleasure, here are some of the highlights I found before forgetting I needed to do this post.

Stefan Sagmeister with snappy tie and Marian Bantjes in a dress of her own fabric design

Petrula Vrontikis unbelievably gorgeous and dapper Armin Vit

Pam Williams outdoing Madame Pierre Gautreau by John Singer Sargent

This defines classic and glamorous, Michael Donovan and Nancye Green

This defines classic and glamorous, Michael Donovan and Nancye Green

Board heartthrob Brad Weed and beautiful wife Susan Pappalardo

Clement

Immaculately dressed Michael Vanderbyl and ever-charming Gaby Brink

Sean and Kenna Kay absolutely perfect