Paul Rand Migraine

Continental Airlines, Hawaii poster

On Wednesday I did a panel discussion with Louise Sandhaus and Michael Carabetta about Paul Rand. It was lively and the audience was full of great stories, strong opinions, and well dressed designers. Unfortunately I had the most horrific migraine and had to try to appear upbeat. Now some of you may say, "Just be yourself, everyone would understand." But a photo of Louise and Michael cheerfully discussing a Rand book cover while I stare into space vacantly won't translate well on facebook. 

As a result, I left as soon as the event finished and didn't have a chance to say hello to many people in the room who I really like. I'm sure they saw me hurry out and though, "What an asshole diva." And...

Following up with a post about Paul Rand is rather pointless. It's amazing, but he gets more coverage online than funny cat videos. So I end this week with simply the cool stuff I found or like, and one Paul Rand.

Sean Adams

Sean Adams is the Chair of the undergraduate and graduate Graphic Design Program at ArtCenter, founder of Burning Settlers Cabin studio, and on-screen author for LinkedIn Learning/Lynda.com He is the only two term AIGA national president in AIGA’s 100 year history. In 2014, Adams was awarded the AIGA Medal, the highest honor in the profession. He is an AIGA Fellow, and Aspen Design Fellow. He has been recognized by every major competition and publication including; How, Print, Step, Communication Arts, Graphis, AIGA, The Type Directors Club, The British Art Director’s Club, and the Art Director’s Club. Adams has been exhibited often, including a solo exhibition at The San Francisco Museum of Modern Art.

Adams is an author of multiple magazine columns, and several best-selling books. He has been cited as one of the forty most important people shaping design internationally, and one of the top ten influential designers in the United States. Previously, Adams was a founding partner at AdamsMorioka, whose clients included The Academy of Motion Picture Arts and Sciences, Disney, Mohawk Fine Papers, The Metropolitan Opera, Los Angeles County Museum of Natural History, Richard Meier & Partners, Sundance, and the University of Southern California.

Brilliant Corners

Last week I had lunch with one of my favorite designers, Michael Carabetta. Since Michael is the creative director at Chronicle Books, the subject turned to, yes shocking, books. Michael suggested I look at Paul Bacon’s work. The more I researched Bacon’s work, the clearer it became that this was a remarkable treasure of incredible work. The book and album covers are energetic, surprising, and spontaneous. They never feel forced or overworked. Yesterday, I briefly fell in love with a new cookbook’s design. Then, after looking at Bacon’s work, I quickly recognized how the cookbook was desperately overdesigned.

Bacon’s love for jazz is apparent in the work. It feels open and clear, never rigid or constipated. However, the spontaneity should not be misunderstood as easy. The ideas are big, smart, and beautifully crafted. We can look back and say, “Times were different. You could walk in a room, present a solution and everyone would cheer. The they’d head out for martinis, cigarettes and flirting.” But, like today, I’m sure everyone had an opinion and wanted something different. Bacon’s work is a testament to the ability to express an idea articulately and sell it. There is obvious passion here.

James Victore’s article on aiga.org captures Bacon’s essence beautifully. I love that he can, “tell a joke so dirty that it would singe off yer eyebrows.” This reminded me of my great friend Doyald Young, and that made my day.