Whenever I see the movie, Two For the Road, with Audrey Hepburn, I think about Tomoko Miho. In the 1960s, she and the remarkable Jim Miho spent half a year touring Europe in a silver Porsche. They visited designers and must have been the chicest people in every restaurant or little village.
Miho’s work is lucid, minimal, true to international style modernism, and speaks with clarity. But it also allows for spontaneity and the unexpected. In her words, she “Joins space and substance. It is that harmony that creates the ringing clarity of statement that we sense as an experience, as a meaningful whole, as a oneness-as good design.”