Clotho, Lachesis, and Atropos

At the Fluxus exhibition, Fondazione Bonotto, Comune di Venezia

My dad told me, “You can go along with the fates, or you’ll be dragged along behind them.” The point was to accept change and gracefully move forward. That being said, it’s not so easy. In the last year and a half, I’ve been faced with many decisions and changes. Sometimes I went along easily. At other times the universe had to slam my head against the wall repeatedly until I got the message. I like to think I’ve come through the other end with a greater acceptance of change and see it as a wonderful adventure. But, then iPhoto became Photos.

I can’t get behind this one. It does all kinds of dumb things like losing titles that I painstakingly added with names and dates (which I like to use, oddly). Then it sucked up another 70 gigabytes of space. And then I find that the dates are goofed up. So I’ve ditched it and gone back to Aperature.

The good part of this (see, always play the Glad Game)*, was that I found hundreds of images that I forgot about. Many of them from my recent Italian trip. Like most of you, mine are bereft of people. Why take photos of your friends or spouse when there is a cool cup at the synagogue in Rome?

*The Glad Game: Pollyanna, 1960

As a child with her missionary parents in Africa, Pollyanna asks for a doll for Christmas. When supplies arrive in the tiny village, the church has sent, not a doll, but crutches. Pollyanna is sad. Her father suggests playing the Glad Game. She should find a silver lining. In this instance, she should be glad she doesn’t need the crutches.

 


Sean Adams

Sean Adams is the Chair of the undergraduate and graduate Graphic Design Program at ArtCenter, founder of Burning Settlers Cabin studio, and on-screen author for LinkedIn Learning/Lynda.com He is the only two term AIGA national president in AIGA’s 100 year history. In 2014, Adams was awarded the AIGA Medal, the highest honor in the profession. He is an AIGA Fellow, and Aspen Design Fellow. He has been recognized by every major competition and publication including; How, Print, Step, Communication Arts, Graphis, AIGA, The Type Directors Club, The British Art Director’s Club, and the Art Director’s Club. Adams has been exhibited often, including a solo exhibition at The San Francisco Museum of Modern Art.

Adams is an author of multiple magazine columns, and several best-selling books. He has been cited as one of the forty most important people shaping design internationally, and one of the top ten influential designers in the United States. Previously, Adams was a founding partner at AdamsMorioka, whose clients included The Academy of Motion Picture Arts and Sciences, Disney, Mohawk Fine Papers, The Metropolitan Opera, Los Angeles County Museum of Natural History, Richard Meier & Partners, Sundance, and the University of Southern California.

Italian Types 1

On Sunday I returned home from a two week visit to Italy. Of course, two weeks is never enough. But unlike my ancestors who took six months to do the Grand Tour, I have three weeks between terms at Art Center and Michael has a real job. I found it easy to get used to having four people wait on me at breakfast. I also now know I need someone who can iron the sheets everyday. It’s barbaric to make one’s own bowl of Panda Puffs and Go Lean cereal each morning.

Typically, most of my photographs are of typography or color palettes. This time, however, I also managed a whole series of on nude statues and ceilings. I’m usually the only one taking the close up photos of the type, but there was another woman on the Vatican garden tour doing the same thing. We eyed each other suspiciously.

In my travels of typographic photography in Italy, I discovered something right under my nose: Hermann Zapf was a real Italophile. Who knew? Palatino is named after Giambattista Palatino. Optima is based on Roman capitals. And then there’s Sistina (Sistine Chapel), Michelangelo, Medici Script, Zapfino, Marconi, Aldus (Venetian Aldus Manutius), and Vario.

Yes, I know this is super über geeky. It’s even geekier to be walking through ruins on the Palatine Hill and say out loud, “Oh my God! Palatino! of course!”

Sean Adams

Sean Adams is the Chair of the undergraduate and graduate Graphic Design Program at ArtCenter, founder of Burning Settlers Cabin studio, and on-screen author for LinkedIn Learning/Lynda.com He is the only two term AIGA national president in AIGA’s 100 year history. In 2014, Adams was awarded the AIGA Medal, the highest honor in the profession. He is an AIGA Fellow, and Aspen Design Fellow. He has been recognized by every major competition and publication including; How, Print, Step, Communication Arts, Graphis, AIGA, The Type Directors Club, The British Art Director’s Club, and the Art Director’s Club. Adams has been exhibited often, including a solo exhibition at The San Francisco Museum of Modern Art.

Adams is an author of multiple magazine columns, and several best-selling books. He has been cited as one of the forty most important people shaping design internationally, and one of the top ten influential designers in the United States. Previously, Adams was a founding partner at AdamsMorioka, whose clients included The Academy of Motion Picture Arts and Sciences, Disney, Mohawk Fine Papers, The Metropolitan Opera, Los Angeles County Museum of Natural History, Richard Meier & Partners, Sundance, and the University of Southern California.