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From Design Observer

A good title sequence should exciting and thrilling, luring the viewer into the film. You might think that’s the case for every summer blockbuster, the kinds of movies that lead with titles that rely on noise and action and intensity. But you’d be wrong, and Stephen Frankfurt's titles for To Kill a Mockingbird help to show us why.

 In 1962, Robert Mulligan directed the film adaptation of Harper Lee’s Pulitzer-prize winning novel, To Kill a Mockingbird. It is in many ways a surprising book to adapt for the screen: there’s no love story, no violence, and relatively little action. The story centers on a middle-aged widower, a lawyer played by Gregory Peck, who is raising his two children in the South. The film succeeds through its graceful depiction of characters as the story unfolds with frailty, humanity, and heroism.

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Sean Adams

Sean Adams is the Chair of the undergraduate and graduate Graphic Design Program at ArtCenter, founder of Burning Settlers Cabin studio, and on-screen author for LinkedIn Learning/Lynda.com He is the only two term AIGA national president in AIGA’s 100 year history. In 2014, Adams was awarded the AIGA Medal, the highest honor in the profession. He is an AIGA Fellow, and Aspen Design Fellow. He has been recognized by every major competition and publication including; How, Print, Step, Communication Arts, Graphis, AIGA, The Type Directors Club, The British Art Director’s Club, and the Art Director’s Club. Adams has been exhibited often, including a solo exhibition at The San Francisco Museum of Modern Art.

Adams is an author of multiple magazine columns, and several best-selling books. He has been cited as one of the forty most important people shaping design internationally, and one of the top ten influential designers in the United States. Previously, Adams was a founding partner at AdamsMorioka, whose clients included The Academy of Motion Picture Arts and Sciences, Disney, Mohawk Fine Papers, The Metropolitan Opera, Los Angeles County Museum of Natural History, Richard Meier & Partners, Sundance, and the University of Southern California.

How to Rebound after a Really Bad Day

I'll be honest. This last week has been one hell of a bad week. Like everyone, we're feeling the economic issues. I went home Friday night feeling a little beaten, but I remind myself, to quote from Oscar Hammerstein II, "The world belongs to you as much as the next fella. Don't give it up." So wallowing in self pity isn't an option. And I try to remember that I've got it easy compared to my forefathers who colonized Jamestown and Plymouth, fought a revolution, lost fortunes after the civil war, but just kept going. So, having low cash flow really isn't life threatening. But I'm human, so I felt pretty crummy. Then I came across the title sequence to To Kill a Mockingbird designed by Stephen Frankfurt, and this made everything ok, in addition to the rum and Fresca (Rumescas) and anti-anxiety pill.