Return of the Color

Almost ten years ago, Terry Lee Stone and I wrote the Color Design Workbook. Since then, it's remained a best seller in the graphic design category ( I hate saying that. It sounds like a facebook post from too many people that are more interested in themselves than others). But, it's about numbers. Last year, Judith Cressy contacted me and asked if I'd like to do an updated new edition. Uh, yes, please. 

I had a great time finding new work to illustrate some of the points made. I love when I have the chance to highlight work from designers who aren't published all the time (yet). I'm so pleased with this book. It gives real information (thank you Terry Lee Stone) about color in design. Hopefully, it will lead to a reduced terror of color. As I've said so many time, "No two colors dislike each other. The only crime is to be timid."

Sean Adams

Sean Adams is the Chair of the undergraduate and graduate Graphic Design Program at ArtCenter, founder of Burning Settlers Cabin studio, and on-screen author for LinkedIn Learning/ He is the only two term AIGA national president in AIGA’s 100 year history. In 2014, Adams was awarded the AIGA Medal, the highest honor in the profession. He is an AIGA Fellow, and Aspen Design Fellow. He has been recognized by every major competition and publication including; How, Print, Step, Communication Arts, Graphis, AIGA, The Type Directors Club, The British Art Director’s Club, and the Art Director’s Club. Adams has been exhibited often, including a solo exhibition at The San Francisco Museum of Modern Art.

Adams is an author of multiple magazine columns, and several best-selling books. He has been cited as one of the forty most important people shaping design internationally, and one of the top ten influential designers in the United States. Previously, Adams was a founding partner at AdamsMorioka, whose clients included The Academy of Motion Picture Arts and Sciences, Disney, Mohawk Fine Papers, The Metropolitan Opera, Los Angeles County Museum of Natural History, Richard Meier & Partners, Sundance, and the University of Southern California.

How to write a book

Masters of Design: Corporate Brochures (my preferred title was Corporate Communications

My newest book in the Masters of Design series hit the shelves recently. A few years after we founded AdamsMorioka, a large publisher approached us about a monograph. Saul Bass gave me the advice, “Never get hot. Always stay very warm.” He suggested that we get some more experience under our belt first. We passed, and decided that if we were to write a book, we’d rather make it about something we loved, not just us, although we do have a love/hate thing with ourselves. The first book we wrote, Logo Design Workbook, has remained a bestseller in its category for years. We were asked to write others, Color Design Workbook, Masters of Design: Identity, and the new book.

The Masters of Design series idea came from a book I have, Graphic Designers in U.S.A.: Louis Danziger, Peter Max, Herb Lubalin, Henry Wolf v. 1. It’s a wonderful book with four great designers who weren’t over-published. Emily Potts gave me the green light, and I started writing. I delivered a list of the 20 designers who I believed were the masters in each category to the publisher. We negotiated back and forth in a process not unlike selecting a Supreme Court Justice. Fortunately, everyone I invited agreed kindly to be part of the book. We sent a list of questions and request for images. Most sent everything back in a timely manner, and I began writing. However, some designers didn’t seem to want to send me images or information. That was the hardest part of doing this book. In the end, we received everything we wanted and I love all of the work included. I feel fortunate that I have the true masters in the book.

Now here’s the truth that I don’t typically tell. This happened in the midst of my term as AIGA president, and I was writing a monthly column for Step magazine with a different designer each month. When I was done with this book, and my term was over, I was, well, burned-out over promoting other designers. Not that I don’t love it, and as my mother always says, “A life without service is not a life.” But now I’m taking a break, and just relaxing—except for this post, which is kind of promoting the designers in this book. Old habits die hard.

spread, Michael Vanderbyl


spread, Carin Goldberg

spread, Pentagram