Where's My Grid Dude?

When I was in Berlin, I loved that people waited at the crosswalk until the light turned green, waited in line politely, and exited the S-Bahn correctly. There were no people shoving to get in before everyone exited, nobody ran across a busy street ignoring oncoming traffic, or tried to get past you in the line at the grocery store. I like order.

Order is good for many things. But too much of it can be cold, as in intimate situations, "No, not that yet. We are still on the schedule for you doing this." Josef Müller-Brockmann managed order without the chilly part. His posters and publications are mathematically precise, but that creates harmony. Müller-Brockmann also was a master at scale. Not only are the elements placed precisely, but the scale of the pieces relate to each other just as orderly.

Of course, many people think of Josef Müller-Brockmann as the grid dude. And yes, he was indeed the grid dude. But if that were his only skill, we would be left with a range of work from A-B. Instead, each piece is it's own unique masterpiece.

Sean Adams

Sean Adams is the Chair of the undergraduate and graduate Graphic Design Program at ArtCenter, founder of Burning Settlers Cabin studio, and on-screen author for LinkedIn Learning/Lynda.com He is the only two term AIGA national president in AIGA’s 100 year history. In 2014, Adams was awarded the AIGA Medal, the highest honor in the profession. He is an AIGA Fellow, and Aspen Design Fellow. He has been recognized by every major competition and publication including; How, Print, Step, Communication Arts, Graphis, AIGA, The Type Directors Club, The British Art Director’s Club, and the Art Director’s Club. Adams has been exhibited often, including a solo exhibition at The San Francisco Museum of Modern Art.

Adams is an author of multiple magazine columns, and several best-selling books. He has been cited as one of the forty most important people shaping design internationally, and one of the top ten influential designers in the United States. Previously, Adams was a founding partner at AdamsMorioka, whose clients included The Academy of Motion Picture Arts and Sciences, Disney, Mohawk Fine Papers, The Metropolitan Opera, Los Angeles County Museum of Natural History, Richard Meier & Partners, Sundance, and the University of Southern California.

It's The End of The World As We Know It

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A couple of weeks ago I spent a day attempting to go to the Altes Museum to see the Roman stuff. Somehow I lost my way and spend two hours walking in a circle in the Tiergarten. So I gave up my plan to see Roman statuary and stopped at Haus der Kulturen der Welt.

I would sound smarter if I said it was to see the exhibition on the intersection between European and African history, but I needed a bathroom. The exhibition was good, but the building is spectacular.  It was the USA’s contribution to the INTERBAU 1957 building exhibition in Berlin and designed by Hugh Stubbins. This is modernism in its heyday. Today it is beautifully empty. It's like a set from an odd 1960s European film about life after a global pandemic. Abandoned ticket booths, vacant cafés, and a bookstore with one listless cashier.

Now I know what life will be like after the end of the world. I don't think that was the original intention for the building, but it sure does work. FYI, the Fleischmann Planetarium at University of Nevada built in 1963 is a clear ripoff.

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Fleischmann Planetarium, University of Nevada, 1963

Fleischmann Planetarium, University of Nevada, 1963