Surprised by Joy

RayEames
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Each term, I pull the Art Center Graphics Gallery together. It's exciting to see the breadth of work produced, and get a sense of the tone of the department. At the end of the Spring term as I was waiting for a batch of posters to arrive, I wandered into the Alyce de Roulet Williamson Gallery, which is behind the student gallery. The current exhibition is Ray Eames: In the Spotlight. Now this is a case of discovering something wonderful in your own backyard. I've walked by the gallery several times a week, but was always too busy to stop. Boy, that was dumb.

When I finally stepped in, I was shocked to find the best exhibition I've seen in years. After multiple visits to the great museums of Europe and New York, this was the one collection that inspired me the most. The exhibition highlights Ray's work, not just more Eames LCW chairs. It contains the incredible collections in her drawers, the rack of slide carrousels, her early artwork, even her own incredibly tailored dresses. The density of visual ephemera is remarkable. This isn't an exhibition for minimalists. But there is a rigor and tightness to the chaos, and an unrelenting sense of optimism. Even the Computer House of Cards talks about the beginnings of things and the possibilities of technology.

Of course, I wanted to buy many of the items, but since it was a gallery exhibition, they said no.