The Design of Comfort

Several years ago, the organizers at TypeCon asked me to do a presentation on the typography of Disneyland. I assumed that the research would lead to a collection of novelty typefaces. What I found, however, was an incredibly dense design solution beyond typography with intentional choices to create a specific experience. The typography, color, scale, point of view, sounds, and smells worked as a whole communicating energy, invention, American ingenuity, mid-western values, and reassurance.

Main Street, USA, is the entry point at Disneyland, Walt Disney World’s Magic Kingdom, and other Disney parks globally. It is a representation of small-town America at the turn of the twentieth century. Main Street is not a perfect recreation of a town in 1890. There are no garbage filled doorways, telephone poles, muddy streets, and rather unpleasant drunk people carrying guns. Main Street is a representation of the idea of a mythical small town.

Disneyland’s original designers came from a film background. They designed every element to work cohesively to convey a narrative. Main Street is not a cute and saccharine mini-mall of false fronts. It is a well-considered and detailed construction.

The park’s guests are not spectators in the environment. They are actors on a stage. The designers created the experience of entering the park to simulate the beginning of a motion picture theater experience. The guest passes through a dark tunnel below the railroad tracks in the same way that theater lights dim as a film starts. 

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Sean Adams

Sean Adams is the Acting Chair of the Graphic Design Graduate Program at ArtCenter, founder of Burning Settlers Cabin studio, and on-screen author for lynda.com/Linked In. He is the only two term AIGA national president in AIGA’s 100 year history. In 2014, Adams was awarded the AIGA Medal, the highest honor in the profession. He is an AIGA Fellow, and Aspen Design Fellow. He has been recognized by every major competition and publication including; How, Print, Step, Communication Arts, Graphis, AIGA, The Type Directors Club, The British Art Director’s Club, and the Art Director’s Club. Adams has been exhibited often, including a solo exhibition at The San Francisco Museum of Modern Art.

Adams is an author of multiple magazine columns, and several best-selling books. He has been cited as one of the forty most important people shaping design internationally, and one of the top ten influential designers in the United States. Previously, Adams was a founding partner at AdamsMorioka, whose clients included The Academy of Motion Picture Arts and Sciences, Disney, Mohawk Fine Papers, The Metropolitan Opera, Los Angeles County Museum of Natural History, Richard Meier & Partners, Sundance, and the University of Southern California.