One of our great mentors was Saul Bass. Saul was endlessly supportive and encouraging. Saul was the first phone call we received that first day at AdamsMorioka when the phones were turned on. Losing Saul was a huge loss that we still feel. After he passed away, The Academy held a memorial service at the Samuel Goldwyn Theater. Another memorial was held in New York. The New York memorial focused on Saul’s identity and graphic work. The Los Angeles memorial was about his title sequences. Seeing these on huge screen with incredible sound was life changing. I love showing my first term students some of Saul’s title sequences. They are inspired and awed, especially by the lack of CGI. It’s amazing what can be done with a few lines and some type.
One of the often-missed sequences is for Grand Prix. There is no flying type, no intense digital effects, and no techno music. Live action, some simple type, and genius editing make a dynamic introduction. The repeating images, repeated usage of circular forms, and sound of the race let us know the subject, tone, attitude, and pace of the film we are about to see. We’ve often said that our job is not to make lots of sweet frosting, but to make a solid cake. Grand Prix is this, the core of an idea expressed elegantly and minimally.