There are many ways to be sent to hell. Some involve disobeying the Ten Commandments. As a designer, however, temptation looms at every corner, telling us, “It’s ok. Go ahead and use the Oil Paint filter in Photoshop. Don’t worry about using the fake handwriting rather than using your own hands. Why make your palette when a program can do it for you? So easy; then you can have time to be lazy.”
Now, everyone has a different concept of hell. Mine is being stuck at a party when someone pulls out a guitar to play songs about a broken heart. To avoid ending up at an endless amateur guitar playing party with people who share issues, I resist the temptation of software-generated color palettes. I make my own.
I’ve met many designers who are uncomfortable with color. At some point along the path, a well-meaning art teacher or parent said, “Oh no. Those colors don’t go together. They clash.” We are given the message: You can’t be trusted with your own color choices. There are right colors, wrong colors, good combinations, and bad combinations. But this is wrong. There are no bad colors or bad combinations. The only wrong choices (and not in a good John Bielenberg ThinkWrong way), are to use the default palette, work without color conviction, and let Adobe make the palette decisions. As long as a designer works with color aggressively, everything is good. Can you use rust and violet, or avocado green and yellow, or pink and red? Why not?