Fake News: Blow Up

 

One of the pivotal scenes in Michelangelo Antonioni’s Blow Up (1966) follows the protagonist, Thomas, as he enlarges a series of images. From these close-ups, he determines he accidentally photographed a murder. The viewer must decide if these photographs are evidence of a crime or merely abstract forms? The core of this question touches on our need to assign narrative to any shape, pattern, and imagery we see.

In 2014, people uploaded an average of 1.8 billion digital images every day. Today, in two minutes, people take more photographs than existed in total in 1866. In a culture flooded with this magnitude of imagery, the lines between truth and fiction are vague and confusing. Coupled with the ability to manipulate images digitally, the integrity of a photograph cannot be proven. The viewer must repeatedly determine on a daily basis if he or she believes the representation as actual or false. An uneasy and endlessly shifting sense of truth replaces the comfort of “seeing is believing.” Read More

Sean Adams

Sean Adams is the Director of the Graphic Design Graduate Program at ArtCenter, founder of Burning Settlers Cabin studio, and on-screen author for lynda.com/Linked In. He is the only two term AIGA national president in AIGA’s 100 year history. In 2014, Adams was awarded the AIGA Medal, the highest honor in the profession. He is an AIGA Fellow, and Aspen Design Fellow. He has been recognized by every major competition and publication including; How, Print, Step, Communication Arts, Graphis, AIGA, The Type Directors Club, The British Art Director’s Club, and the Art Director’s Club. Adams has been exhibited often, including a solo exhibition at The San Francisco Museum of Modern Art. Adams is an author of multiple magazine columns, and several best-selling books. He has been cited as one of the forty most important people shaping design internationally, and one of the top ten influential designers in the United States. Previously, Adams was a founding partner at AdamsMorioka, whose clients included The Academy of Motion Picture Arts and Sciences, Disney, Mohawk Fine Papers, The Metropolitan Opera, Los Angeles County Museum of Natural History, Richard Meier & Partners, Sundance, and the University of Southern California.