Last week I visited the Herman Miller showroom to look at the new furniture systems for the ArtCenter Grad program. There's some pretty snappy stuff and I may need to get a stand up desk for myself. In the George Nelson room there was print of John Neuhart's poster for Alexander Girard's Textiles and Objects shop.
Designed in the late 1940s and early 1950s, Matter employed organic forms and paired them with hard geometry. The organic forms, boomerangs, kidney shapes, and liquid shapes were a reaction to the hard and cold machine aesthetic of World War II. After years of tragedy, it isn't surprising that designers and the public would move toward life affirming forms. Even Matter's layouts for an article on the Ray and Charles Eames dances the line between grid and freeform.
It was reassuring to see the spread with the gnarly wood (as in tangled not rad). I have many pieces of gnarly wood and frequently find more on my hikes. It looks odd when I come down the trail with a pile of wood held in my shirt, but tough.