We make our own prisons. For years, it bothered me when someone would meet me and say, “I love your work, you guys do that funny bright stuff.” The “I love your work” part was good, but the rest felt so small. In our minds, we play with ideas of pastiche, appropriation, irony, and media manipulation. The end product may incorporate complex theory, but it often appears bright and funny. So I’ve had to accept that we built this house. It’s like Marilyn Monroe wanting to be considered a serious actress, or The Beach Boys wanting serious consideration. Marilyn might have been a serious actress, but people wanted her to be what she appeared to be. Brian Wilson is an amazing and revolutionary musician, but the Beach Boys will always be fun and bubble-gum.
Years ago, Appleton Paper asked us to design a piece for their line, Utopia. The assignment was this: ask a hairstylist what his or her idea of a perfect life is. Then design a piece that reflects this. The answer we received was fairly expected, “I’d hang out by the pool at the Beverly Hills Hotel and have drinks,” or something along those lines. This seemed dull and expected to us. But if you dig a little deeper, the entire Hollywood myth is buried in that statement.
The Hollywood myth that we all know is this: a young innocent leaves the farm in Kansas and heads to Hollywood to become a star. She is soon discovered at the soda fountain at Schwabs and becomes a huge star. Awards follow, and then the diva-esque behavior sets in. Of course it all ends badly with substance abuse and rehab. This is a far more fun story to tell. In fact, it is the plot of Valley of the Dolls. We decided to tell the narrative visually. Budget constraints and a nod to Cindy Sherman, not excessive ego, thrust Noreen into the starring role. Of course, in the end, it's the bright and funny stuff.