I bless the rains down in Africa

The first year Disney’s Animal Kingdom opened, we made a family trek to Florida to see it. The weather was remarkably authentic to equatorial Africa. Florida in July is, strangely, rather hot, humid, and oppressive. This forced the animals to sleep in the shade or hide. Leaving, we all agreed it was incredible looking, but perhaps, the Vegetable Kingdom would be more appropriate. A couple of years later, we returned when it was not yet high noon and 115 degrees. This time, the animals were out wandering.

I have a love/hate relationship with the Animal Kingdom. It is visually sublime. The attention to detail is amazing, and the pervasive story of man taming, or not taming, nature is beautiful. But the attractions scare me. I like the Kilimanjaro Safari attraction, but after going on safari in Africa, it was nice, but not really the same thing (yeah, that sounds kind of snooty). The rest of the time, I wander around terrified I will be forced to go on the scary attractions.

It’s hot, and I don’t want to have a fainting spell on the Expedition Everest roller coaster, or the dizzy and spinning Primeval Whirl. That’s embarrassing when grandmothers with canes happily ride these with no fear. I am extremely terrified of the extremely terrifying Dinosaur attraction. The first and only time I went on this, I put my hands over my ears, closed my eyes, and basically curved up into a fetal position on the “time travel” vehicle. The snapshot taken automatically at the end of the ride captures a car of happy laughing people, and someone who looks like he is having a seizure.

Actual safari in Africa, Sean Adams and Marian Bantjes


Sean Adams

Sean Adams is the Chair of the undergraduate and graduate Graphic Design Program at ArtCenter, founder of Burning Settlers Cabin studio, and on-screen author for LinkedIn Learning/Lynda.com He is the only two term AIGA national president in AIGA’s 100 year history. In 2014, Adams was awarded the AIGA Medal, the highest honor in the profession. He is an AIGA Fellow, and Aspen Design Fellow. He has been recognized by every major competition and publication including; How, Print, Step, Communication Arts, Graphis, AIGA, The Type Directors Club, The British Art Director’s Club, and the Art Director’s Club. Adams has been exhibited often, including a solo exhibition at The San Francisco Museum of Modern Art.

Adams is an author of multiple magazine columns, and several best-selling books. He has been cited as one of the forty most important people shaping design internationally, and one of the top ten influential designers in the United States. Previously, Adams was a founding partner at AdamsMorioka, whose clients included The Academy of Motion Picture Arts and Sciences, Disney, Mohawk Fine Papers, The Metropolitan Opera, Los Angeles County Museum of Natural History, Richard Meier & Partners, Sundance, and the University of Southern California.