When I was a young designer, Lou Danziger showed me a booklet designed by Herbert Bayer. It took my breath away. Bayer used a Trompe-l’œil effect to simulate a collection of flowers on top of an open spread. This was one of those moments similar to noticing the arrow in the FedEx logo. It was as if a light had been turned on and the world looked entirely different. The page isn’t a 2-dimensional form? It’s a window into a 3-dimensional world? Who knew?
Clearly Bayer knew this. He used the Trompe-l’œil effect on other pieces including a Nazi propaganda piece in 1936. Paul Rand used the effect on a cover for American Apparel magazine beautifully. I’ve attempted to incorporate this idea into several pieces. Usually someone pipes up and says, “Is that some dirt on the page? What is that? Is that a bug?” Then last night when I was on press with Cedars-Sinai’s Discoveries magazine, my wish was granted. The editor, Laura Grunberger worked with us to create settings for a story on inspiration and new medical devices. In the midst of the press check, I was upset that someone had written on the press sheet before me. But, no, it was part of the effect of the setting. What joy.
Images from the Lou Danziger Collection