Posts Tagged ‘1984’

Nude Nude Girls

Friday, September 21st, 2012

Mickalene Thomas, Les Trois Femmes Noires, 2010

This week in my Communication Design 1 class, we talked about audience and allusion. I use the example of Edouard Manet’s Le déjeuner sur l’herbe and the application of this painting to other projects. Whenever I try to explain this I’m sure they are staring at me and thinking, “I have no idea what he is saying. I think he’s lost his mind.” But, that’s fine because I’m not sure about my mind lately.

Le déjeuner sur l’herbe was a scandal when it was exhibited in 1863. It was rejected by the Salon, and then shown at Salon de Refusés. Today it seems rather innocuous. Yes, there is a nude woman, but so what? Haven’t nude women existed in art for millennia? Yes, but in 1863, it was only appropriate when the woman appeared in a religious or mythological context. It was one thing to have a nude sculpture of the goddess Diana, but entirely different to have an ordinary woman nude. And having a picnic. With men. Shocking.

Jump ahead 120 years and the band Bow Wow Wow appropriates the image for their album cover. This is how allusion and audience works: if you know the background of Manet’s painting, you recognize it on Bow Wow Wow’s cover. You know the message here is that Bow Wow Wow is scandalous and shocking. You feel special and smart. If you don’t know the Manet reference it still works if you are a 16-year-old new wave kid living on a farm, “Nude girl. Cool.”

The album cover was in actuality scandalous because the lead singer, Annabella Lwin, was only 15 when the photo was released. This led to an uproar about child abuse and investigation by Scotland Yard. As a side note, when I was 19, I met Annabella during my time on American Bandstand. She had a wonky Mohawk, but one of the few guests who interacted with the kids.

Recently someone sent me Stano Masár’s version of Le déjeuner sur l’herbe. It’s wonderful and points to the issue of allusion and audience perfectly. With such a small amount of information, I recognize this. Yeah, I’m groovy, I know modern art history.

Edouard Manet, Le déjeuner sur l'herbe, 1863

Bow Wow Wow, Le déjeuner sur l'herbe, after Manet, 1984

Picasso, Le déjeuner sur l'herbe, after Manet, 1962

Picasso, Le déjeuner sur l'herbe, after Manet, 1961

Philip Bond, Star Wars Le déjeuner sur l'herbe, after Manet, 2009

The Simpsons, Le déjeuner sur l'herbe, after Manet

Rive Gauche ad, Le déjeuner sur l'herbe, after Manet

Shag, Le déjeuner sur l'herbe, after Manet

Adventure Time, Le déjeuner sur l'herbe, after Manet

Babar, Le déjeuner sur l'herbe, after Manet

Stano Masar, Le déjeuner sur l'herbe, after Manet

Musings of the Mad

Friday, February 24th, 2012

detail, Sean Visits Georgia O'Keefe, Sean Adams, 1984

I recently found some notebooks from my time in college. It’s nice to think that you’ve changed over time, matured, and found some wisdom. But these notebooks prove two things: I haven’t changed since I was 20 years old, and I was clearly insane. While other students were hastily taking notes about Roland Barthes, I was intently drawing the objects I deemed “mean.” The notebooks reveal a person obsessed with bizarre trivial ideas. Why did I create a narrative where Georgia O’Keefe serves me toast? I catalogued the world around me, which Southern California of the early 80s was new wave Vals (Valley teens), Bevs (Beverly Hills teens), and their shopping habits. I also include a page on semiotics to prove that while I was busy drawing LA Eyeworks sunglasses, I was also trying to understand structuralism.

The sad part of this, or the good part depending on your point of view is that my current notebook is no better. Today I finished a rather intricate drawing of a riverboat during a meeting.

Sean Visits Georgia O'Keefe, Sean Adams, 1984

detail, Sean Visits Georgia O'Keefe, Sean Adams, 1984

Portrait of Post Mods, Sean Adams, 1985

detail, Picture of Post Mods, Sean Adams, 1985

Art Things, Sean Adams, 1984

Nice Things, Sean Adams, 1984

Mean Things, Sean Adams, 1984

Picture of Different Glasses, Sean Adams, 1985

Actual notes, Sean Adams, 1985

Notebook cover, "Save me from the pig" added by me