I’ve been accused of living in a bubble. Supposedly, the real world is very different than the one I inhabit. One of the issues with my bubble world is that I assume everyone knows the same things I do. Last week, one of my students told me she had read only ten books in her entire life. The week before someone told me they like old movies, especially Clueless. I assumed my Vertigo references and discussions about Ginsberg’s Howl made sense to everyone. A light bulb went off in my head, and I discovered that references I take for granted are not as universal as I thought. Of course, it’s a 2-way street. When someone asks if I like any new music, I say Thompson Twins.
Jerome and Evelyn Ackerman are remarkable artists. I presumed everyone knew their work. But, as I have learned, sometimes that isn’t true. The Ackermans are integral to the fabric of California craft. Since they opened Jenev Design Studio in 1952, they opened the door to the idea of craft combined with modernism. Their ability to swing from ceramics, wood, textiles, metal, and glass is remarkable. And across all these media, the sense of exuberance and joy is apparent. Bad design can sink under the weight of its own importance.
The Ackerman work is incredibly important. It inspired generations of artists in California as well as everyday people who wanted to dabble in craft. Yet, it never is self-important. The work always communicates the idea of the human hand. And it invites viewers to stop whatever they are doing and begin to create.
Many of these images are from one of my favorite sites, http://www.midcenturia.com.